Saturday
After our usual 1.5 hour walk this morning — in the wind presaging a cold front, Marian had a salad and I had a half Fandango salad and half Sierra Turkey (although I have just looked at the calorie count for the sandwich and I will reconsider future choices of this sandwich) lunch at Panera. What a great franchise. Tasty food quickly prepared at a very reasonable price. We would have sat outside with the birds but the wind was a little much.
Movie We Saw
Slim pickings for movies worth seeing. Hollywood distributes more than 400 movies each year and we probably see 40-45 of these. Our tastes are hardly so elitist that we shun all but highbrow movies. I mean — Aqua Teen Hunger Force Colon Movie Film For Theaters, the plot of which is
A galactic exercise machine threatens Frylock (Carey Means) and his friends.
Or Pathfinders
American Indians adopt a Viking boy that was left behind during a skirmish with his people.
Vikings from the 10th century that only made it as far south as Labrador? Why not include Aztecs from the dawn of time and some dinosaurs thrown in as well?
Or Redline, that
Features the personal exotic car collection of the producer, real estate investor Daniel Sadek.
Sure, I’m just an old fart complaining about these young’uns and their crummy preferences.
We did see Disturbia which is promoted as a modern Rear Window.

It certainly is not a modern Rear Window but we enjoyed it. David Morse is the Raymond Burr character and he does a wonderful job with his quiet menace — a character feature in which he has seemed to refine into a career. The James Stewart and Grace Kelly stand ins are entirely different from Rear Window but are adequate for the movie. Disturbia has none of the complexity of the original, where the residents that all share the square Stewart looks out on all reflect some element of the Stewart/Kelly relationship.
This movie spends too much time on teenage angst. Of course, I’m a little beyond this kind of angst and appreciated the time Hitchcock spent developing the other characters through Stewart’s eyes. None of that in Disturbia, where almost everyone is dismissed as part of suburban mediocrity. All the more time to spend on lingering over her body.

Sure — young, slim, pretty. But I prefer complex characters. Yes, I am an old fart.
Sharon Olds describes the shock of finding one’s self suddenly aged — not aging but already there. And the shock of contrast with the young. Perhaps that is my real objection to the movie.
35/10 — from Strike Sparks: Selected Poems 1980-2002, by Sharon Olds
Brushing out our daughter’s brown
silken hair before the mirror
I see the grey gleaming on my head,
the silver-haired servant behind her. Why is it
just as we begin to go
they begin to arrive, the fold in my neck
clarifying as the fine bones of her
hips sharpen? As my skin shows
its dry pitting, she opens like a moist
precise flower on the tip of a cactus;
as my last chances to bear a child
are falling through my body, the duds among them,
her full purse of eggs, round and
firm as hard-boiled yolks, is about
to snap its clasp. I brush her tangled
fragrant hair at bedtime. It’s an old
story—the oldest we have on our planet—
the story of replacement.
Sunday
Rain and wind finally clearing late in the day. The low tonight is 50 degrees cooler than the high on Saturday. We rarely see such dramatic temperature changes. Too much moisture in the air to accommodate that kind of temperature change.